Do you want to start making music in Just Intonation, but don't know where to begin? Have you tried to read other books or articles on Just Intonation, only to be baffled by arcane terminology and strings of numbers? Or do you just want to find out what all the talk is about?
Probably the most practical guide for learning the subject. The text is clear, including explication of the math, and definitions are precise.
W.A. Mathieu—Harmonic Experience
I highly recommend this book as a textbook for theory classes and as an introduction to more detailed and idiosyncratic works on JI... Independent composers frustrated by the limits of 12 [tone equal temperament] should read this book...
John H. Chalmers, Jr.—Xenharmonikôn
David Doty is the appropriate person to create such a work... he has the requisite subject matter expertise in generous measure, and he has been in a position to know what students of the subject want and need. The book that results is a concise, practical, informative, and very affordable text.
Bart Hopkin—Experimental Musical Instruments
...Doty has emerged as one of the preeminent contemporary theorists of JI, showing himself to be a gifted expositor as well as a careful and imaginative thinker. Hence the Primer is likely to become the main text and reference for American composers interested in the resources of JI.
Dudley Duncan—Ars Musica Denver
Unlike many previous texts dealing with tuning theory and its applications,
The Just Intonation Primer has been used for undergraduate and graduate courses at California State University at Fullerton, College of Santa Fe (Santa Fe, NM), Harvey Mudd College (Claremont, CA), and Mills College (Oakland, CA), as well as by thousands of individual students.
Among the principal topics addressed in the primer are:
David B. Doty is a composer, author, instrument builder, and synthesist, and a leading authority on Just Intonation. He is a founding member of the Just Intonation Network and edited the network's journal, 1/1, from its inception in 1984 until 2006. He has worked exclusively in Just Intonation since 1975, composing primarily for American Gamelan and MIDI systems. His compositions in Just Intonation can be heard on his CD Uncommon Practice.
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